The product receives great reviews on average (consumer score 8.3). This is below the median audio interface consumer score of 8.5.
The Audient EVO 8 audio interface is a highly praised and versatile option with comprehensive input and output options, low latency, high-quality preamps, and compatibility with popular DAWs, making it suitable for a wide range of recording and monitoring needs.
The Audient EVO 8 audio interface is highly praised for its comprehensive set of input and output options, making it suitable for various recording and monitoring scenarios. It features four clean and transparent EVO mic preamps, a JFET instrument input for direct recording of guitars or basses, and high-quality main outputs with ADA conversion for sample rates up to 96kHz.
The EVO 8 also includes two headphone outputs with separate volume controls, making it convenient for collaborative work or monitoring.
One standout feature of the EVO 8 is its low latency of 0.6ms roundtrip at a sample rate of 44.1kHz. This low latency is crucial for musicians and vocalists who need to hear themselves in real-time while recording, ensuring accurate performances and the ability to make real-time adjustments with software effects and virtual instruments.
The preamp quality of the EVO 8 is highly regarded, with its clean and transparent preamps providing minimal distortion and harmonic distortion. The EVO 8 also offers phantom power for condenser microphones, making it suitable for a wide range of recording needs.
While the EVO 8 does not have built-in DSP processing capabilities, it comes bundled with the Torpedo Wall of Sound amp modeling plug-in from Two Notes Audio Engineering, which enhances the sound for guitarists. The EVO 8 also supports various plug-ins and tutorials through its software mixer, providing additional processing options.
In terms of compatibility, the EVO 8 is compatible with both Mac and Windows operating systems and works with popular DAWs such as Logic Pro X, Ableton Live, Pro Tools, Cubase, Studio One, and Reaper. It is also compatible with a wide range of third-party plugins. However, there have been some compatibility issues with the EVO 8 software mixer/controller on the Big Sur version of macOS, so it's recommended to check Audient's website for the most up-to-date compatibility information.
Overall, the Audient EVO 8 audio interface is highly regarded for its high-quality performance, affordability, and versatility. It is recommended for podcasters, streamers, bedroom musicians, and anyone in need of a reliable and user-friendly audio interface. It is particularly well-suited for guitarists, thanks to its front-facing JFET instrument input and the included Torpedo Wall of Sound amp modeling plug-in.
The Audient EVO 8 audio interface offers a comprehensive set of input and output options, including four EVO mic preamps, JFET instrument input, high-quality main outputs, and two headphone outputs, making it suitable for a variety of recording and monitoring scenarios.
The Audient EVO 8 audio interface offers a comprehensive set of input and output options, making it suitable for a variety of recording and monitoring scenarios. It features four EVO mic preamps, known for their clean and transparent sound quality, as well as a JFET instrument input for direct recording of guitars or basses.
The main outputs are transparent and provide high-quality audio reproduction, with ADA conversion allowing for sample rates up to 96kHz. The EVO 8 also includes two headphone outputs with separate volume controls, powerful enough to drive professional headphones. This makes it convenient for collaborative work or monitoring.
Overall, the Audient EVO 8 provides a solid set of input and output options, making it suitable for various recording and monitoring needs.
The Audient EVO 8 audio interface's low latency of 0.6ms roundtrip at a sample rate of 44.1kHz allows musicians and vocalists to hear themselves in real-time while recording, resulting in a more natural and immersive recording experience and the ability to use software effects and virtual instruments without noticeable delay.
The Audient EVO 8 audio interface offers a low latency of 0.6ms roundtrip at a sample rate of 44.1kHz, according to expert reviews. This low latency is crucial for musicians and vocalists who need to hear themselves in real-time while recording. It allows for a more natural and immersive recording experience, ensuring that performers can stay in sync with the music and deliver better performances.
Furthermore, the low latency of the EVO 8 is also beneficial for using software effects and virtual instruments during recording. It ensures that the processed audio is played back in real-time without any noticeable delay, allowing users to make accurate adjustments and hear the effects while recording.
Overall, the Audient EVO 8's low latency levels contribute to a seamless recording and monitoring process. It provides musicians and vocalists with the ability to monitor their input signal in real-time, enabling them to deliver accurate performances and make real-time adjustments with software effects and virtual instruments.
The Audient EVO 8 Audio Interface is praised for its clean and transparent preamps with a gain range of 58dB, providing phantom power for condenser microphones, and minimal distortion, making it a recommended choice for users seeking high-quality preamp performance.
The Audient EVO 8 Audio Interface is praised for its remarkably clean and transparent preamps. The preamps have a gain range of 58dB, which is sufficient for most microphones. While the specific frequency response range is not mentioned, it is implied that the preamps are capable of accurately reproducing a wide range of frequencies.
The EVO 8 comes with four preamps, all of which provide phantom power for condenser microphones. However, the availability of phantom power depends on the type of connection used. The preamps are described as having minimal distortion and harmonic distortion, resulting in a clean and clear audio signal.
The EVO 8 does not have any additional features or technologies that directly affect the quality of the preamps, as the focus is on simplicity and ease of use. Overall, the Audient EVO 8 is recommended for users who prioritize clean and transparent preamp quality and require phantom power for condenser microphones.
The Audient EVO 8 is an audio interface that does not have built-in DSP processing capabilities, but it comes bundled with the Torpedo Wall of Sound amp modeling plug-in and supports various plug-ins and tutorials through its software mixer, making it a versatile option for streamers, newcomers to music production, and podcasters.
The Audient EVO 8 does not have built-in DSP processing capabilities, but it does come bundled with the Torpedo Wall of Sound amp modeling plug-in from Two Notes Audio Engineering, which can enhance the sound for guitarists. The EVO 8 also supports various plug-ins and tutorials that can be accessed through its software mixer, providing additional processing options for users.
The quality of the DSP processing in the EVO 8 is not specifically mentioned in the available expert reviews. The EVO 8 is designed for streamers, newcomers to music production, and podcasters, offering pro features and fantastic sound quality. There are no limitations or restrictions mentioned on DSP processing for the EVO 8, but it is important to note that it is primarily designed as an audio interface and does not have extensive built-in DSP processing capabilities.
The DSP processing interface of the EVO 8 is described as intuitive and immediate, with simple and easy-to-use front panel controls. The EVO mixer software is praised for its capabilities, allowing users to save mixer states and easily switch between different setups. The EVO 8 does not have customizable or adjustable DSP processing features like dim, HPF, pad, or polarity invert.
Overall, the Audient EVO 8 is a user-friendly and efficient audio interface with high-quality preamps and additional processing options for guitarists.
The Audient EVO 8 audio interface is compatible with both Mac and Windows operating systems, but there have been some compatibility issues with the EVO 8 software mixer/controller on the Big Sur version of macOS.
The Audient EVO 8 audio interface is compatible with both Mac and Windows operating systems. It has been reported to work beautifully on a 2018 MacBook Pro, but there have been some compatibility issues with the EVO 8 software mixer/controller on the Big Sur version of macOS. It is recommended to check Audient's website or contact their support for the most up-to-date compatibility information, especially if you are using the latest operating system version.
In terms of Digital Audio Workstations (DAWs), the EVO 8 is compatible with popular options such as Logic Pro X, Ableton Live, Pro Tools, Cubase, Studio One, and Reaper. It is a class-compliant audio interface, meaning it should work with any DAW that supports class-compliant devices. However, it's always a good idea to check the official website of the DAW to ensure compatibility.
The EVO 8 is also compatible with a wide range of third-party plugins, including the bundled Torpedo Wall of Sound amp modeling plug-in from Two Notes Audio Engineering. It should work seamlessly with most popular plugins available on the market, but compatibility may vary depending on the DAW software being used.
It's recommended to check the manufacturer's website or user forums for specific compatibility information.
There have been reports of compatibility issues with the software mixer/controller of the EVO 8 when used with Big Sur on a 2028 MacBook Pro. Audient is still testing compatibility with Big Sur, so it's recommended to check their official website for any updates.
Setting up and configuring the EVO 8 with different software and operating systems seems to be relatively easy and straightforward. It is fully compatible with Mac and Windows, but currently not supported on iPhone or iPad. The EVO mixer software provided by Audient allows for easy control of various settings.
However, setting up loopback and artist mixes on specific outputs may require some additional effort, but there are videos available to guide users through the process.
Overall, the Audient EVO 8 audio interface is compatible with a range of operating systems, DAWs, and third-party plugins. It is a versatile and user-friendly option for musicians and producers looking for a high-quality audio interface.
The Audient EVO 8 is a highly regarded and affordable audio interface that is recommended for podcasters, streamers, and musicians, particularly guitarists, thanks to its pro features and fantastic sound quality.
The Audient EVO 8 has a positive brand reputation in the audio recording industry. It is highly regarded for its pro features, fantastic sound quality, and affordability. The EVO 8 is recommended for podcasters, streamers, bedroom musicians, and anyone in need of a versatile audio interface.
It is particularly well-regarded by guitarists, thanks to its front-facing JFET instrument input, which provides excellent sound. The inclusion of the Torpedo Wall of Sound amp modeling plug-in from Two Notes Audio Engineering makes it an attractive option for guitarists. The EVO 8 also offers features like Smartgain, which automatically sets input levels, making it easy for both novices and professionals to avoid clipping their inputs.
Overall, the Audient EVO 8 is known for its high-quality performance and affordability, making it a popular choice for streamers, newcomers to music production, and bedroom musicians.
There are people on the Internet whose job is to review products. Below are their opinions.
ReviewFinder database has 3 expert reviews of Audient EVO 8.
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3 best audio recording interfaces in the same price range as Audient EVO 8
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Expert consensus not yet generated.
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The Solid State Logic SSL2+ audio interface is a versatile and high-quality option for musicians, podcasters, and content creators, offering a range of input and output options, high-quality preamps, low-latency input monitoring, and powerful digital processing tools. | The Steinberg UR22C audio interface is a versatile and high-quality device suitable for a range of recording and playback needs, featuring a range of input and output options, MIDI input and output, zero-latency monitoring with built-in effects, and two D-Pre Class-A preamps on each input channel. |
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PreSonus AudioBox USB 96
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4
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3
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3
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3
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Universal Audio Apollo Twin MKII
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8
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4
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New * | $61 |
Behringer UMC22
The Behringer UMC22 audio interface is a versatile and affordable device suitable for home recording, podcasting, and other similar applications, offering a range of input and output options, low latency playback, and Midas-designed preamps.
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2
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5
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Universal Audio Apollo Twin X
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3
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2
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6
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UA Volt 2
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3
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2
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12
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M-Audio AIR 192|4
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6
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3
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13
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Audient Evo 4
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5
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4
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14
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+3 | $195 |
Steinberg UR22C
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5
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4
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15
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Motu M2
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7
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5
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16
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4
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9
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17
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17
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18
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IK Multimedia AXE I/O
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19
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19
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ReviewFinder ranks based on a combination of customer reviews, expert reviews / mentions and popularity. Expert recommendations carry the highest weight in the ranking. We do not rank based on price, our commission or brand. audio recording interfaces below are at the top of our ranking this March.
Focusrite Scarlett 2i2 | PreSonus AudioBox USB 96 | Universal Audio Apollo Twin MKII | Behringer UMC22 |
Rank
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9.1
Great
|
Rank
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out of 125
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|
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Universal Audio Apollo Twin MKII rank #3 out of 125.
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8.7
Great
|
Rank
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|
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|
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The Focusrite Scarlett 2i2 audio interface is a versatile and reliable device with low latency levels, upgraded preamp design, and a new Air mode that enhances high-end detail, making it a great choice for solo artists and mobile recording. | The PreSonus AudioBox USB 96 is a versatile and reliable audio interface with low latency, high-quality mic preamps, and compatibility with almost all recording software, making it an excellent choice for musicians, podcasters, and other audio professionals. | The Universal Audio Apollo Twin MKII is a versatile and high-quality audio interface suitable for professional recording studios, home studios, and musicians who demand the best in preamp quality, offering a range of input and output options for recording and playback, extremely low latency levels, and powerful DSP processing capabilities. | The Behringer UMC22 audio interface is a versatile and affordable device suitable for home recording, podcasting, and other similar applications, offering a range of input and output options, low latency playback, and Midas-designed preamps. |
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