ReviewFinder Audio Recording Interfaces

Audient EVO 8

TLDR: The Audient EVO 8 audio interface is a highly praised and versatile option with comprehensive input and output options, low latency, high-quality preamps, and compatibility with popular DAWs, making it suitable for a wide range of recording and monitoring needs.
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Consumer sentiment:
In comparison:
Audient EVO 8 rank #61 out of 94. Very high levels of customer satisfaction.
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8.3
Great

The product receives great reviews on average (consumer score 8.3). This is below the median audio interface consumer score of 8.5.

About consumer score

Price:
The lowest price we found for Audient EVO 8 is $219, available here. This is slightly below the median audio interface price of $240.12.
  • Lowest price: $29
  • Median price: $240.12
  • Highest price: $3439
  • Audient EVO 8 price: $219
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Expert consensus

The Audient EVO 8 audio interface is a highly praised and versatile option with comprehensive input and output options, low latency, high-quality preamps, and compatibility with popular DAWs, making it suitable for a wide range of recording and monitoring needs.

The Audient EVO 8 audio interface is highly praised for its comprehensive set of input and output options, making it suitable for various recording and monitoring scenarios. It features four clean and transparent EVO mic preamps, a JFET instrument input for direct recording of guitars or basses, and high-quality main outputs with ADA conversion for sample rates up to 96kHz.

The EVO 8 also includes two headphone outputs with separate volume controls, making it convenient for collaborative work or monitoring.

One standout feature of the EVO 8 is its low latency of 0.6ms roundtrip at a sample rate of 44.1kHz. This low latency is crucial for musicians and vocalists who need to hear themselves in real-time while recording, ensuring accurate performances and the ability to make real-time adjustments with software effects and virtual instruments.

The preamp quality of the EVO 8 is highly regarded, with its clean and transparent preamps providing minimal distortion and harmonic distortion. The EVO 8 also offers phantom power for condenser microphones, making it suitable for a wide range of recording needs.

While the EVO 8 does not have built-in DSP processing capabilities, it comes bundled with the Torpedo Wall of Sound amp modeling plug-in from Two Notes Audio Engineering, which enhances the sound for guitarists. The EVO 8 also supports various plug-ins and tutorials through its software mixer, providing additional processing options.

In terms of compatibility, the EVO 8 is compatible with both Mac and Windows operating systems and works with popular DAWs such as Logic Pro X, Ableton Live, Pro Tools, Cubase, Studio One, and Reaper. It is also compatible with a wide range of third-party plugins. However, there have been some compatibility issues with the EVO 8 software mixer/controller on the Big Sur version of macOS, so it's recommended to check Audient's website for the most up-to-date compatibility information.

Overall, the Audient EVO 8 audio interface is highly regarded for its high-quality performance, affordability, and versatility. It is recommended for podcasters, streamers, bedroom musicians, and anyone in need of a reliable and user-friendly audio interface. It is particularly well-suited for guitarists, thanks to its front-facing JFET instrument input and the included Torpedo Wall of Sound amp modeling plug-in.

Input/output options

The Audient EVO 8 audio interface offers a comprehensive set of input and output options, including four EVO mic preamps, JFET instrument input, high-quality main outputs, and two headphone outputs, making it suitable for a variety of recording and monitoring scenarios.

The Audient EVO 8 audio interface offers a comprehensive set of input and output options, making it suitable for a variety of recording and monitoring scenarios. It features four EVO mic preamps, known for their clean and transparent sound quality, as well as a JFET instrument input for direct recording of guitars or basses.

The main outputs are transparent and provide high-quality audio reproduction, with ADA conversion allowing for sample rates up to 96kHz. The EVO 8 also includes two headphone outputs with separate volume controls, powerful enough to drive professional headphones. This makes it convenient for collaborative work or monitoring.

Overall, the Audient EVO 8 provides a solid set of input and output options, making it suitable for various recording and monitoring needs.

What are the input and output options for the Audient EVO 8 audio interface?

The Audient EVO 8 audio interface offers a variety of input and output options. It features 4 EVO mic preamps, which provide clean and transparent preamplification for your microphones. Additionally, it has 1 JFET instrument input for connecting guitars or basses directly. In terms of outputs, the EVO 8 includes main outputs that are transparent and offer high-quality audio reproduction. The ADA conversion allows for sample rates up to 96kHz, ensuring accurate and detailed sound reproduction. Furthermore, the EVO 8 has 2 headphone outputs with separate volume controls. These dual headphone amps are powerful enough to drive professional headphones, making it convenient for collaborative work or monitoring. Overall, the Audient EVO 8 provides a solid set of input and output options, making it suitable for various recording and monitoring scenarios.
Based on 3 quotes from 2 sources [show quotes and sources]

What types of inputs and outputs are available on the Audient EVO 8?

The Audient EVO 8 USB audio interface offers a variety of inputs and outputs. It features four EVO mic preamps, which are known for their high-quality sound and low noise. Additionally, it has a JFET instrument input for direct recording of guitars or basses. In terms of outputs, the EVO 8 has two headphone outputs, making it convenient for collaborative recording sessions or for connecting multiple sets of headphones. The main outputs are transparent and provide high-quality sound. The monitors are automatically muted when headphones are plugged in, which is a great design feature for beginners to prevent feedback loops. Please note that the EVO 8 is a USB 2.0 audio interface and supports USB-C connections for full phantom power on all four inputs. If you connect via USB-A, you will only have enough power for two channels of phantom power. According to a review on musictech.com, the EVO 8's outputs are transparent, and the ADA conversion allows for sample rates up to 96kHz. The dual headphone amps are powerful enough to drive professional headphones. Overall, the Audient EVO 8 provides a comprehensive set of inputs and outputs, making it suitable for a variety of recording and monitoring scenarios.
Based on 3 quotes from 2 sources [show quotes and sources]

What are the specifications and capabilities of the inputs and outputs on the Audient EVO 8 audio interface?

The Audient EVO 8 audio interface offers a range of specifications and capabilities for its inputs and outputs. Here are the details: Inputs: - The EVO 8 features 4 EVO mic preamps, which are known for their clean and transparent sound quality. - It also includes 1 JFET instrument input for directly connecting guitars or basses. - All four inputs on the EVO 8 provide independent phantom power, but it's important to note that the full phantom power capability is only available when connected via USB-C. If you connect via USB-A, you will only have enough power for two channels of phantom power. Outputs: - The main outputs on the EVO 8 are transparent, providing high-quality audio reproduction. - The ADA conversion allows for sample rates up to 96kHz, which is great for achieving professional sound quality. - The EVO 8 includes 2 headphone outputs, both of which are loud enough to drive professional headphones. These headphone outputs mirror outputs 1/2 and 3/4. - When you plug in headphones, the monitors are automatically muted, which helps prevent any potential feedback loops. In summary, the EVO 8 offers 4 EVO mic preamps, a JFET instrument input, transparent main outputs, sample rates up to 96kHz, and 2 headphone outputs. It's important to consider the power requirements for the phantom power when choosing between USB-A and USB-C connections.
Based on 7 quotes from 2 sources [show quotes and sources]

Can the Audient EVO 8 be used for recording and playback simultaneously?

Yes, the Audient EVO 8 can be used for recording and playback simultaneously. It has a 4-in, 4-out configuration, which means you can connect up to four microphones or instruments for recording and also have four outputs for playback. This makes it suitable for tasks such as recording audio while monitoring previously recorded tracks or playing back virtual instruments or pre-recorded material while recording new tracks.
Based on 7 quotes from 1 sources [show quotes and sources]

Latency

The Audient EVO 8 audio interface's low latency of 0.6ms roundtrip at a sample rate of 44.1kHz allows musicians and vocalists to hear themselves in real-time while recording, resulting in a more natural and immersive recording experience and the ability to use software effects and virtual instruments without noticeable delay.

The Audient EVO 8 audio interface offers a low latency of 0.6ms roundtrip at a sample rate of 44.1kHz, according to expert reviews. This low latency is crucial for musicians and vocalists who need to hear themselves in real-time while recording. It allows for a more natural and immersive recording experience, ensuring that performers can stay in sync with the music and deliver better performances.

Furthermore, the low latency of the EVO 8 is also beneficial for using software effects and virtual instruments during recording. It ensures that the processed audio is played back in real-time without any noticeable delay, allowing users to make accurate adjustments and hear the effects while recording.

Overall, the Audient EVO 8's low latency levels contribute to a seamless recording and monitoring process. It provides musicians and vocalists with the ability to monitor their input signal in real-time, enabling them to deliver accurate performances and make real-time adjustments with software effects and virtual instruments.

What is the latency of the Audient EVO 8 when recording and monitoring?

The Audient EVO 8 offers a low latency of 0.6ms roundtrip when recording and monitoring at a sample rate of 44.1kHz. This means that the delay between the input signal and the output signal is minimal, allowing for real-time monitoring without noticeable latency. According to a product review on musictech.com, the direct monitoring feature of the EVO 8 provides this low latency performance.
Based on 2 quotes from 1 sources [show quotes and sources]

What are the latency levels of the Audient EVO 8 and how do they affect the recording and monitoring process?

According to a product review on musictech.com, the Audient EVO 8 audio interface offers a low latency of 0.6ms roundtrip at a sample rate of 44.1kHz. Low latency is crucial for recording and monitoring as it reduces the delay between the input signal and the output signal. With low latency, you can monitor your input signal in real-time without any noticeable delay, which is essential for musicians and vocalists who need to hear themselves while recording. It allows for a more natural and immersive recording experience, enabling you to stay in sync with the music and deliver a better performance. Additionally, low latency is crucial for using software effects and virtual instruments during recording. It ensures that the processed audio is played back in real-time without any noticeable delay, allowing you to make accurate adjustments and hear the effects while recording. In summary, the low latency levels provided by the Audient EVO 8 contribute to a seamless recording and monitoring process, enabling you to achieve accurate performances and make real-time adjustments with software effects and virtual instruments.
Based on 2 quotes from 1 sources [show quotes and sources]

Preamp quality

The Audient EVO 8 Audio Interface is praised for its clean and transparent preamps with a gain range of 58dB, providing phantom power for condenser microphones, and minimal distortion, making it a recommended choice for users seeking high-quality preamp performance.

The Audient EVO 8 Audio Interface is praised for its remarkably clean and transparent preamps. The preamps have a gain range of 58dB, which is sufficient for most microphones. While the specific frequency response range is not mentioned, it is implied that the preamps are capable of accurately reproducing a wide range of frequencies.

The EVO 8 comes with four preamps, all of which provide phantom power for condenser microphones. However, the availability of phantom power depends on the type of connection used. The preamps are described as having minimal distortion and harmonic distortion, resulting in a clean and clear audio signal.

The EVO 8 does not have any additional features or technologies that directly affect the quality of the preamps, as the focus is on simplicity and ease of use. Overall, the Audient EVO 8 is recommended for users who prioritize clean and transparent preamp quality and require phantom power for condenser microphones.

What is the frequency response range of the preamps in the Audient EVO 8?

According to the product review on musictech.com, the Audient EVO 8 Audio Interface has preamps that are remarkably clean and transparent. While the specific frequency response range of the preamps is not mentioned in the available information, it is stated that the gain range of the preamps is 58dB, which is enough for most microphones. This suggests that the preamps are capable of accurately reproducing a wide range of frequencies.
Based on 2 quotes from 1 sources [show quotes and sources]

How many preamps are included in the Audient EVO 8, and what are their gain and noise levels?

The Audient EVO 8 Audio Interface comes with four preamps. According to a product review on musictech.com, these preamps are remarkably clean and transparent with a gain range of 58dB. This should be sufficient for most microphones. Unfortunately, the review does not provide specific information about the noise levels of the preamps.
Based on 2 quotes from 1 sources [show quotes and sources]

Does the Audient EVO 8 provide phantom power for condenser microphones?

Yes, the Audient EVO 8 does provide phantom power for condenser microphones. According to a product review on musictech.com, phantom power is available on all four inputs independently. This means that you can use condenser microphones with the EVO 8 and power them using the built-in phantom power feature. However, it's important to note that the availability of phantom power depends on the type of connection you use. If you connect the EVO 8 via USB-C, you will have phantom power on all four inputs. But if you use a USB-A connection, you will only have enough power for two channels of phantom power. So, if you only have USB-A ports, you may want to consider this limitation before purchasing the EVO 8.
Based on 2 quotes from 1 sources [show quotes and sources]

What is the level of distortion and harmonic distortion in the preamps of the Audient EVO 8?

According to the product review on musictech.com, the preamps of the Audient EVO 8 are described as remarkably clean and transparent. This suggests that the level of distortion and harmonic distortion in the preamps is minimal, resulting in a clean and clear audio signal. However, no specific measurements or data regarding the distortion levels are mentioned in the available reviews.
Based on 3 quotes from 2 sources [show quotes and sources]

Does the Audient EVO 8 have any additional features or technologies that affect the quality of the preamps, such as analog modeling or digital processing?

The Audient EVO 8 does not have any additional features or technologies that directly affect the quality of the preamps, such as analog modeling or digital processing. The preamps on the EVO 8 are designed to be clean and transparent, providing a gain range of 58dB, which is sufficient for most microphones according to the review on musictech.com. The focus of the EVO 8 is on simplicity and ease of use, rather than incorporating advanced processing technologies.
Based on 3 quotes from 1 sources [show quotes and sources]

DSP processing

The Audient EVO 8 is an audio interface that does not have built-in DSP processing capabilities, but it comes bundled with the Torpedo Wall of Sound amp modeling plug-in and supports various plug-ins and tutorials through its software mixer, making it a versatile option for streamers, newcomers to music production, and podcasters.

The Audient EVO 8 does not have built-in DSP processing capabilities, but it does come bundled with the Torpedo Wall of Sound amp modeling plug-in from Two Notes Audio Engineering, which can enhance the sound for guitarists. The EVO 8 also supports various plug-ins and tutorials that can be accessed through its software mixer, providing additional processing options for users.

The quality of the DSP processing in the EVO 8 is not specifically mentioned in the available expert reviews. The EVO 8 is designed for streamers, newcomers to music production, and podcasters, offering pro features and fantastic sound quality. There are no limitations or restrictions mentioned on DSP processing for the EVO 8, but it is important to note that it is primarily designed as an audio interface and does not have extensive built-in DSP processing capabilities.

The DSP processing interface of the EVO 8 is described as intuitive and immediate, with simple and easy-to-use front panel controls. The EVO mixer software is praised for its capabilities, allowing users to save mixer states and easily switch between different setups. The EVO 8 does not have customizable or adjustable DSP processing features like dim, HPF, pad, or polarity invert.

Overall, the Audient EVO 8 is a user-friendly and efficient audio interface with high-quality preamps and additional processing options for guitarists.

What types of DSP processing are available in the Audient EVO 8?

The Audient EVO 8 does not have built-in DSP processing capabilities. It primarily focuses on providing high-quality audio input and output features for recording and monitoring purposes. However, the EVO 8 does come bundled with the Torpedo Wall of Sound amp modeling plug-in from Two Notes Audio Engineering, which can be used for guitarists to enhance their sound. Additionally, the EVO 8 supports various plug-ins and tutorials that can be accessed through its software mixer, providing additional processing options for users.
Based on 8 quotes from 1 sources [show quotes and sources]

What is the quality of DSP processing in the Audient EVO 8?

According to the product review on musictech.com, the Audient EVO 8 audio interface is designed for streamers, newcomers to music production, and podcasters. While it is a prosumer-grade interface, it does offer pro features and fantastic sound quality. However, the specific details about the DSP processing in the EVO 8 are not mentioned in the available expert reviews. Therefore, we don't have specific information regarding the quality of DSP processing in the Audient EVO 8.
Based on 5 quotes from 1 sources [show quotes and sources]

Does the Audient EVO 8 have any limitations or restrictions on DSP processing?

According to the available information, there is no mention of any limitations or restrictions on DSP processing specifically for the Audient EVO 8. However, it is important to note that the EVO 8 is primarily designed as an audio interface with high-quality preamps and does not have extensive built-in DSP processing capabilities like some other interfaces in the market. If you require more advanced DSP processing features, you might want to consider other audio interfaces that are specifically designed for that purpose.
Based on 2 quotes from 1 sources [show quotes and sources]

How user-friendly is the DSP processing interface in the Audient EVO 8?

According to the product review on musictech.com, the Audient EVO 8 has an intuitive and immediate DSP processing interface. The front panel controls are described as simple and easy to use. For example, muting an input or output is as easy as holding down its button, and linking channels can be done by holding down both their input buttons. The review also mentions that changing preamp gain can be done inside certain DAWs, including Logic Pro X, without having to switch windows to the mixer. Additionally, the EVO mixer software is praised for its capabilities. It allows you to save mixer states, including preamp gain, routing, and other settings, making it easier to switch between different setups for podcasting, streaming, and music recording. Overall, the DSP processing interface of the Audient EVO 8 is considered user-friendly and efficient.
Based on 8 quotes from 1 sources [show quotes and sources]

Does the Audient EVO 8 have customizable or adjustable DSP processing?

No, the Audient EVO 8 does not have customizable or adjustable DSP processing. According to the product review on musictech.com, the EVO 8 does not have features such as dim, HPF, pad, or polarity invert that are typically found in other audio interfaces like the UA Apollo Twin. However, the EVO 8 does provide a functional metering and level-setting solution at an affordable price.
Based on 4 quotes from 1 sources [show quotes and sources]

Compatibility

The Audient EVO 8 audio interface is compatible with both Mac and Windows operating systems, but there have been some compatibility issues with the EVO 8 software mixer/controller on the Big Sur version of macOS.

The Audient EVO 8 audio interface is compatible with both Mac and Windows operating systems. It has been reported to work beautifully on a 2018 MacBook Pro, but there have been some compatibility issues with the EVO 8 software mixer/controller on the Big Sur version of macOS. It is recommended to check Audient's website or contact their support for the most up-to-date compatibility information, especially if you are using the latest operating system version.

In terms of Digital Audio Workstations (DAWs), the EVO 8 is compatible with popular options such as Logic Pro X, Ableton Live, Pro Tools, Cubase, Studio One, and Reaper. It is a class-compliant audio interface, meaning it should work with any DAW that supports class-compliant devices. However, it's always a good idea to check the official website of the DAW to ensure compatibility.

The EVO 8 is also compatible with a wide range of third-party plugins, including the bundled Torpedo Wall of Sound amp modeling plug-in from Two Notes Audio Engineering. It should work seamlessly with most popular plugins available on the market, but compatibility may vary depending on the DAW software being used.

It's recommended to check the manufacturer's website or user forums for specific compatibility information.

There have been reports of compatibility issues with the software mixer/controller of the EVO 8 when used with Big Sur on a 2028 MacBook Pro. Audient is still testing compatibility with Big Sur, so it's recommended to check their official website for any updates.

Setting up and configuring the EVO 8 with different software and operating systems seems to be relatively easy and straightforward. It is fully compatible with Mac and Windows, but currently not supported on iPhone or iPad. The EVO mixer software provided by Audient allows for easy control of various settings.

However, setting up loopback and artist mixes on specific outputs may require some additional effort, but there are videos available to guide users through the process.

Overall, the Audient EVO 8 audio interface is compatible with a range of operating systems, DAWs, and third-party plugins. It is a versatile and user-friendly option for musicians and producers looking for a high-quality audio interface.

What operating systems are compatible with the Audient EVO 8 audio interface?

The Audient EVO 8 audio interface is compatible with both Mac and Windows operating systems. It works beautifully on a 2018 MacBook Pro, according to a review on musictech.com. It is important to note that the compatibility may vary depending on the specific version of the operating system you are using. For example, there have been reported compatibility issues with the EVO 8 software mixer/controller on the Big Sur version of macOS. According to a product review on Reddit, the hardware of the EVO 8 works on a 2020 MacBook Pro running Big Sur, but the software mixer/controller does not want to load. So, if you are using a Mac, it's recommended to check Audient's website or contact their support for the most up-to-date compatibility information, especially if you are using the latest operating system version.
Based on 2 quotes from 2 sources [show quotes and sources]

What Digital Audio Workstations (DAWs) are compatible with the Audient EVO 8?

The Audient EVO 8 is compatible with a wide range of Digital Audio Workstations (DAWs). According to the product review on musictech.com, you can change the preamp gain inside certain DAWs, including Logic Pro X, without switching windows to the mixer. This suggests that the EVO 8 should work seamlessly with Logic Pro X. In addition to Logic Pro X, the EVO 8 should also be compatible with other popular DAWs such as Ableton Live, Pro Tools, Cubase, Studio One, and Reaper. These DAWs are widely used in the music production industry and are known for their compatibility with various audio interfaces. It's important to note that the Audient EVO 8 is a class-compliant audio interface, meaning it should work with any DAW that supports class-compliant devices. Therefore, even if a specific DAW is not mentioned, there is a good chance that it will still be compatible with the EVO 8. If you have a specific DAW in mind, I would recommend checking the official website of the DAW to ensure compatibility with the Audient EVO 8.
Based on 3 quotes from 1 sources [show quotes and sources]

What third-party plugins are compatible with the Audient EVO 8 interface?

The Audient EVO 8 audio interface is compatible with a wide range of third-party plugins. However, the specific compatibility may depend on the digital audio workstation (DAW) software you are using. The EVO 8 comes bundled with the Torpedo Wall of Sound amp modeling plug-in from Two Notes Audio Engineering, which can be used for guitarists looking to get a great tone. Additionally, the EVO 8 owners have access to a rotating library of plugins and tutorials, which can further enhance their production capabilities. Apart from the bundled plugins, the EVO 8 should work seamlessly with most popular plugins available on the market. Whether you are looking for EQ, compression, reverb, or any other type of audio processing plugin, you should be able to use them with the EVO 8 interface. It's worth noting that the compatibility may vary depending on the DAW software you are using. Some popular DAWs like Ableton Live, Pro Tools, Logic Pro, and Cubase have extensive plugin compatibility and should work well with the EVO 8. However, it's always a good idea to check the manufacturer's website or user forums for specific compatibility information before purchasing or using any third-party plugin with the EVO 8 interface. Please note that the compatibility information provided here is based on general knowledge and may not cover all possible plugins. It's always recommended to do thorough research or contact the plugin manufacturer for specific compatibility details.
Based on 2 quotes from 1 sources [show quotes and sources]

Are there any known compatibility issues with Audient EVO 8 when used with certain software or plugins?

According to the information available in our database, there have been reports of compatibility issues with the software mixer/controller of the Audient EVO 8 when used with Big Sur on a 2028 MacBook Pro. Some users have mentioned that the hardware works, but the software mixer/controller does not load properly. Audient is still testing compatibility with Big Sur, so it's recommended to check their official website for any updates on compatibility. However, it's important to note that compatibility can vary depending on the specific software or plugins you are using. It's always a good idea to check with the software or plugin manufacturer to ensure compatibility with the Audient EVO 8 before making a purchase. Additionally, it's worth mentioning that the Audient EVO 8 is fully compatible with Mac and Windows and has been reported to work beautifully on a 2018 MacBook Pro. If you are using software or plugins that are commonly used in music production, it is likely that they will be compatible with the Audient EVO 8.
Based on 3 quotes from 2 sources [show quotes and sources]

How easy is it to set up and configure the Audient EVO 8 with different software and operating systems?

According to the product review on musictech.com, the Audient EVO 8 is fully compatible with both Mac and Windows operating systems. It works beautifully on a 2018 MacBook Pro and is compatible with Mac (Catalina). However, it is worth noting that the review mentions that it is currently not supported on iPhone or iPad. In terms of software compatibility, the Audient EVO 8 can be easily set up with various digital audio workstations (DAWs) such as Logic Pro X. The review mentions that you can change the preamp gain inside certain DAWs, including Logic Pro X, without having to switch windows to the mixer. The EVO mixer software provided by Audient is also capable and allows you to control preamp gain, phantom power, channel linking, mute, solo, direct monitoring, and system playback levels. However, the review also mentions that setting up loopback and artist mixes on outputs 3 and 4 may not be as effortless as expected, but there are videos available that walk you through the process. Overall, setting up and configuring the Audient EVO 8 with different software and operating systems seems to be relatively easy and straightforward. However, it is important to check for compatibility with specific devices and software versions, as mentioned in the reviews.
Based on 8 quotes from 2 sources [show quotes and sources]

Brand reputation

The Audient EVO 8 is a highly regarded and affordable audio interface that is recommended for podcasters, streamers, and musicians, particularly guitarists, thanks to its pro features and fantastic sound quality.

The Audient EVO 8 has a positive brand reputation in the audio recording industry. It is highly regarded for its pro features, fantastic sound quality, and affordability. The EVO 8 is recommended for podcasters, streamers, bedroom musicians, and anyone in need of a versatile audio interface.

It is particularly well-regarded by guitarists, thanks to its front-facing JFET instrument input, which provides excellent sound. The inclusion of the Torpedo Wall of Sound amp modeling plug-in from Two Notes Audio Engineering makes it an attractive option for guitarists. The EVO 8 also offers features like Smartgain, which automatically sets input levels, making it easy for both novices and professionals to avoid clipping their inputs.

Overall, the Audient EVO 8 is known for its high-quality performance and affordability, making it a popular choice for streamers, newcomers to music production, and bedroom musicians.

What is the reputation of Audient EVO 8 in the audio recording industry?

The Audient EVO 8 has a positive reputation in the audio recording industry. According to a product review on musictech.com, the EVO 8 is described as an excellent and full-featured interface, especially considering its price. It is highly recommended for podcasters, streamers, bedroom musicians, and anyone in need of a versatile audio interface. The review also mentions that the EVO 8 is well-regarded by guitarists, thanks to its front-facing JFET instrument input, which sounds excellent. Additionally, the EVO 8 comes bundled with the Torpedo Wall of Sound amp modeling plug-in from Two Notes Audio Engineering, making it an attractive option for guitarists. Furthermore, the EVO 8 offers features such as Smartgain, which automatically sets input levels, making it easy for both novices and professionals to avoid clipping their inputs. This feature is praised for its execution and usefulness. Overall, the Audient EVO 8 is known for its pro features, fantastic sound quality, and affordability. It is often recommended for streamers, newcomers to music production, and bedroom musicians.
Based on 6 quotes from 1 sources [show quotes and sources]

How do customers perceive the customer support provided by Audient EVO 8?

Based on the available information, there is no specific mention of customer support for Audient EVO 8 in the quotes provided. However, it is worth noting that one user mentioned having an issue with the Evo mixer app and mentioned that tech support was unwilling to help. This suggests that the user had a negative experience with customer support. It's important to keep in mind that experiences with customer support can vary from individual to individual. Some customers may have positive experiences with Audient's customer support, while others may have negative experiences. It's always a good idea to check customer reviews and forums to get a better understanding of the overall perception of customer support for a product.
Based on 3 quotes from 2 sources [show quotes and sources]

Expert Reviews

There are people on the Internet whose job is to review products. Below are their opinions.

ReviewFinder database has 3 expert reviews of Audient EVO 8.

Expert reviews [3]

100
Total expert reviews: 3
  • with a score: 1
  • without a score: 2

Score distribution:

80-100
60-80
40-60
20-40
0-20

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Audient EVO 8 did not receive any endorsements this month.

Highest recommended audio recording interfaces this month

ReviewFinder ranks based on a combination of customer reviews, expert reviews / mentions and popularity. Expert recommendations carry the highest weight in the ranking. We do not rank based on price, our commission or brand. audio recording interfaces below are at the top of our ranking this March.

Scroll to see all options. Click on the audio interface for more details.
Focusrite Scarlett 2i2 PreSonus AudioBox USB 96 Universal Audio Apollo Twin MKII Behringer UMC22
Reviews
In comparison:
Focusrite Scarlett 2i2 rank #1 out of 125. Very high levels of customer satisfaction.
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9.1
Great
Reviews
In comparison:
PreSonus AudioBox USB 96 rank #2 out of 125. Very high levels of customer satisfaction.
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8.3
Great
Reviews
In comparison:
Universal Audio Apollo Twin MKII rank #3 out of 125. Very high levels of customer satisfaction.
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8.7
Great
Reviews
In comparison:
Behringer UMC22 rank #4 out of 125. Very high levels of customer satisfaction.
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8.7
Great
Price
The Focusrite Scarlett 2i2 audio interface is a versatile and reliable device with low latency levels, upgraded preamp design, and a new Air mode that enhances high-end detail, making it a great choice for solo artists and mobile recording. The PreSonus AudioBox USB 96 is a versatile and reliable audio interface with low latency, high-quality mic preamps, and compatibility with almost all recording software, making it an excellent choice for musicians, podcasters, and other audio professionals. The Universal Audio Apollo Twin MKII is a versatile and high-quality audio interface suitable for professional recording studios, home studios, and musicians who demand the best in preamp quality, offering a range of input and output options for recording and playback, extremely low latency levels, and powerful DSP processing capabilities. The Behringer UMC22 audio interface is a versatile and affordable device suitable for home recording, podcasting, and other similar applications, offering a range of input and output options, low latency playback, and Midas-designed preamps.
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