The Baby Taylor's scaled-up sibling, the Big Baby (15/16th-size), makes a sleek yet full-sounding travel companion with its svelte four-inch body depth, which is about a half-inch shallower than the depth of a standard Dreadnought
Slightly bigger than a Baby Taylor and just shy of a full-size guitar, the Big Baby Taylor is ideal for easy-playing, great-sounding guitar fun
The overall size keeps you in the ""portable"" category, yet with an extra dose of volume and fullness
Like the Baby, the Big Baby has an arched back that provides strength and contributes to its big tonal output
Body Body type: Taylor Grand Auditorium Cutaway: Yes - Venetian Top wood: Solid Sitka Spruce Back & sides: Solid Sapele Bracing pattern: Taylor Standard II Forward Shifted Pattern with Relief Rout Body finish: Gloss 6.0 Top, Satin 5.0 Back and Sides Orientation: Right-Handed Neck Neck shape: Standard Taylor Profile Nut width: 1-3/4" (44.5mm) Fingerboard: Genuine African Ebony Neck wood: Tropical Mahogany Scale len
Taylor's 300 Series has introduced countless players to the pleasures of the all-solid-wood acoustic experience; it's the entry point to Taylor's USA-made instrument line
Players who step up to a 300 Series instrument will be rewarded with a guitar-for-a-lifetime that will only sound better with age
It doesn't take but a few strums to learn how the mix of tone woods, construction and appointments combine to make Taylor's famous playability, intonation and tone
The 300 Series has everything you need and nothing you don't need in a fantastic sounding and playing instrument
Body Body type: Traditional Western Cutaway: Non-cutaway Top wood: Solid Spruce Back & sides: Rosewood Bracing pattern: Info not available Body finish: Gloss Natural Orientation: Right handed Neck Neck shape: Info not available Nut width: 1.69" (43mm) Fingerboard: Rosewood Neck wood: Nato Scale length: 25.6" Number of frets: 21 Neck finish: Matte Electronics Pickup/preamp: No
Rich overtones and improved sustain thanks to the rosewood back and sides deliver improved sound through greater 'depth'
The appearance, with abalone inlay around the sound hole, is more luxurious and an obvious step-up
Specially Developed Scalloped Bracing Yamaha's modern FG has louder and stronger sound in the low- to mid-ranges, thanks to cutting-edge acoustic analysis technology developed by the Yamaha R&D Division
Yamaha's engineers have achieved this sound by utilizing analysis and simulation to arrive at the best bracing design without depending on tradition or guesswork
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