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Audient Evo 16

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Expert consensus

The Audient Evo 16 audio interface is a versatile and powerful tool with eight high-quality EVO Mic Preamps, an Ultra-Low Latency Software Mixer, and compatibility with most popular DAWs, making it an excellent choice for home recording studios, podcasters, and musicians.

The Audient Evo 16 audio interface is a versatile and powerful tool suitable for a range of recording and playback needs. It offers a comprehensive range of input and output options, including eight high-quality EVO Mic Preamps that offer 58dB of gain and ultralow distortion, making it an ideal choice for recording vocals, instruments, and other audio sources.

The interface also features an Ultra-Low Latency Software Mixer that offers DSP processing, including EQ, Compression, and Reverb, making it a great choice for those who require real-time processing of audio signals. The Audient Evo 16 is compatible with Mac OS 12. 5 and most popular DAWs on both Windows and Mac, including Ableton Live, Pro Tools, Logic Pro, Cubase, and Studio One, making it an excellent choice for home recording studios, podcasters, and musicians who want a reliable and versatile audio interface.

Despite some negative customer experiences with customer support, the Audient Evo 16 has a strong brand reputation in the audio recording industry as a high-quality USB audio interface with outstanding performance.

Input/output options

The Audient Evo 16 audio interface offers a comprehensive range of input and output options for recording and playback, making it a versatile and powerful tool for a range of recording needs.

The Audient Evo 16 audio interface offers a comprehensive range of input and output options for recording and playback. It features eight analog inputs and outputs via XLR/jack combo sockets, with the first two inputs on the front panel accepting mic, line, and instrument-level signals.

The interface also includes two JFET instrument inputs, two optical inputs, two optical outputs, and a word clock output. There are eight line outputs, with the first two dedicated for monitors and controlled via the front control panel. Additionally, the EVO 16 can handle up to 16 channels of input via ADAT, and two headphone outputs are included on the front panel, each with its own volume control.

The EVO 16 offers up to 24 channels of I/O at up to 48kHz and 16 channels at up to 96kHz. It can be used for recording and playback simultaneously, with up to 16 loopback channels and four customizable cue mixes. Overall, the Audient Evo 16 is a versatile and powerful audio interface suitable for a range of recording and playback needs.

What are the input and output options for the Audient Evo 16 audio interface?

The Audient Evo 16 audio interface comes with eight analog inputs and eight analog outputs, all via XLR/jack combo sockets. The first two inputs are on the front panel and can take mic, line, and instrument-level signals, while the rear-mounted connectors are mic/line only. The EVO 16 also features two JFET instrument inputs, two optical inputs, two optical outputs, and a word clock output. There are eight line outputs, with the first two dedicated for monitors and controlled via the front control panel. Additionally, the EVO 16 can handle up to 16 channels of input via ADAT, and two headphone outputs are included on the front panel, each with its own volume control.
Based on 13 quotes from 6 sources [show quotes and sources]

What types of inputs and outputs are available on the Audient Evo 16?

The Audient Evo 16 offers 8 analog inputs and outputs each, all via XLR-1/4” combo jacks. The first two inputs located on the front accept instrument-level signals like guitar or bass in addition to microphones and line-level sources, while the rest are on the back and are mic/line. The interface only accepts line-level signals via the TRS inputs; the XLR jacks are for microphones only. The EVO 16 also features 2 x Optical inputs and outputs, 8 x line outputs, 2 x Independent Headphone Outputs, and 2 x Optical Outputs. There is also a word clock output. The EVO 16 offers up to 24 channels of I/O at up to 48kHz and 16 channels at up to 96kHz.
Based on 11 quotes from 6 sources [show quotes and sources]

What are the specifications and capabilities of the inputs and outputs on the Audient Evo 16 audio interface?

The Audient Evo 16 audio interface offers 8 x EVO Mic Preamps, 2 x JFET Instrument Inputs, 2 x Optical Inputs, 8 x Line Outputs, 2 x Optical Outputs, and 2 x Independent Headphone Outputs. The first two inputs are located on the front panel and can accept instrument-level signals in addition to microphones and line-level sources. All inputs feature XLR-1/4” combo jacks. All eight inputs are equipped with EVO preamps, which offer a maximum of 58 dB gain. The remaining I/O uses two pairs of optical connectors offering 16 streams at 44.1/48kHz, eight streams at 88.2/96kHz or two stereo streams in S/PDIF mode. The EVO 16 also has Word Clock Output.
Based on 13 quotes from 5 sources [show quotes and sources]

Can the Audient Evo 16 be used for recording and playback simultaneously?

Yes, the Audient Evo 16 can be used for recording and playback simultaneously. It has up to 16 loopback channels that are excellent for streaming or recording podcasts, and in addition to the first ten DAW channels, the available sources include the master mix and four customizable cue mixes. This means you can easily route audio to headphones, speakers or outboard gear while recording or mixing.
Based on 5 quotes from 4 sources [show quotes and sources]

Latency

The Audient Evo 16's ultralow latency monitoring feature allows for real-time monitoring and accurate synchronization of recorded tracks, making it a great choice for musicians and recording professionals.

The Audient Evo 16 has an ultralow latency monitoring feature that allows for direct monitoring with no noticeable latency, according to gearnews. com. This feature is especially important for musicians who need to hear themselves in real-time while recording. The low latency levels also ensure that the recorded tracks are synchronized and aligned accurately, as noted by themixingtips.

com. Overall, the Audient Evo 16 is a great choice for musicians and recording professionals who require real-time monitoring and accurate synchronization of recorded tracks.

What is the latency of the Audient Evo 16 when recording and monitoring?

According to a review from gearnews.com, the Audient Evo 16 has an ultralow latency monitoring feature that allows for direct monitoring with no noticeable latency.
Based on 2 quotes from 2 sources [show quotes and sources]

What are the latency levels of the Audient Evo 16 and how do they affect the recording and monitoring process?

According to themixingtips.com, the Audient Evo 16 has an ultra-low latency monitoring feature that allows for real-time playback without any perceivable delay. The direct monitoring feature also eliminates any noticeable latency. This feature is especially important for musicians who need to hear themselves in real-time while recording. The low latency levels also ensure that the recorded tracks are synchronized and aligned accurately.
Based on 2 quotes from 2 sources [show quotes and sources]

Preamp quality

The Audient Evo 16 Audio Interface features eight high-quality EVO Mic Preamps with ultralow distortion and Smartgain algorithm, making it an ideal choice for recording vocals, instruments, and other audio sources.

The Audient Evo 16 Audio Interface features eight high-quality EVO Mic Preamps that offer 58dB of gain and ultralow distortion, making it an ideal choice for recording vocals, instruments, and other audio sources. The preamps sound clean and pleasant and offer the same maximum gain and dynamic range as the ones in Audient's iD-series.

The preamps deliver a correct and clear model of your audio with ultralow distortion, and the EVO preamp technology combines the sonic benefits of an analog preamp with digitally managed precision, providing you with the flexibility to set your gain with pinpoint accuracy right down to a decibel.

The EVO 16 also features the Smartgain algorithm, which quickly analyzes and adjusts gain to the perfect level, making it a great addition for quickly setting yourself up with a starting point. The Audient Evo 16 provides 48V phantom power on all of its mic preamps, allowing you to use condenser microphones that require phantom power.

Overall, the Audient Evo 16 is a great choice for those looking for a high-quality audio interface with clean and clear preamps.

What is the frequency response range of the preamps in the Audient Evo 16?

I'm sorry, I couldn't find any information on the exact frequency response range of the preamps in the Audient Evo 16. However, according to gearnews.com, the preamps sound clean and pleasant and offer the same maximum gain (58 dB) and dynamic range (121 dB) as the ones in Audient's iD-series.
Based on 4 quotes from 3 sources [show quotes and sources]

How many preamps are included in the Audient Evo 16, and what are their gain and noise levels?

Audient Evo 16 includes eight high-quality EVO Mic Preamps, which offer 58dB of gain and ultralow distortion, a noise-free signal, as mentioned by themixingtips.com.
Based on 3 quotes from 3 sources [show quotes and sources]

Does the Audient Evo 16 provide phantom power for condenser microphones?

Yes, the Audient Evo 16 provides 48V phantom power on all of its mic preamps, allowing you to use condenser microphones that require phantom power. According to musictech.com, all the mic inputs have individually switchable phantom power, and display an amusing image of a ghost on the LCD screen when enabled and disabled.
Based on 3 quotes from 3 sources [show quotes and sources]

What is the level of distortion and harmonic distortion in the preamps of the Audient Evo 16?

The Audient Evo 16 Audio Interface features the EVO preamp, which has been designed to deliver a clear and true-to-source model of your audio with ultralow distortion and a noise-free signal. According to themixingtips.com, the preamp delivers a correct and clear model of your audio with ultralow distortion, making it an ideal choice for recording vocals, instruments, and other audio sources. However, there is no specific information available about the level of harmonic distortion in the preamps of the Audient Evo 16.
Based on 2 quotes from 2 sources [show quotes and sources]

Does the Audient Evo 16 have any additional features or technologies that affect the quality of the preamps, such as analog modeling or digital processing?

The Audient Evo 16 features the EVO preamp technology, which combines the sonic benefits of an analog preamp with digitally managed precision, providing you with the flexibility to set your gain with pinpoint accuracy right down to a decibel. There is no analog modeling or digital processing involved, but the preamps themselves are clean and clear, offering 58dB of gain and a dynamic range of 121dB that helps your monitors sound the best they can. Additionally, the EVO 16 features the Smartgain algorithm, which quickly analyzes and adjusts gain to the perfect level, making it a great addition for quickly setting yourself up with a starting point.
Based on 5 quotes from 4 sources [show quotes and sources]

DSP processing

The Audient Evo 16 offers an Ultra-Low Latency Software Mixer with DSP processing, but there is limited information on the quality and customization of the processing.

The Audient Evo 16 features an Ultra-Low Latency Software Mixer that offers DSP processing, including EQ, Compression, and Reverb. However, there is no information available on the quality of the DSP processing or any limitations or restrictions on it. The product does not have a DSP processing interface, but it does offer low latency software mixing for routing and sending signals without needing to reach for the unit itself.

The Audient Evo 16 does not have customizable or adjustable DSP processing, but it does offer ultra-low latency software mixer and monitor control. Overall, the Audient Evo 16 is a suitable product for those who require real-time processing of audio signals and do not need customizable or adjustable DSP processing.

It is ideal for recording studios, podcasters, and live sound engineers who need a reliable and user-friendly interface for their audio processing needs.

What types of DSP processing are available in the Audient Evo 16?

The Audient Evo 16 features an Ultra-Low Latency Software Mixer that offers DSP processing, including EQ, Compression, and Reverb.

What is the quality of DSP processing in the Audient Evo 16?

Sorry, I don't have information about the DSP processing in the Audient Evo 16.
Based on 2 quotes from 2 sources [show quotes and sources]

Does the Audient Evo 16 have any limitations or restrictions on DSP processing?

There is no information available on any limitations or restrictions on the DSP processing of the Audient Evo 16. However, it is worth noting that the product features an ultra-low latency software mixer, which allows for real-time processing of audio signals.

How user-friendly is the DSP processing interface in the Audient Evo 16?

The Audient Evo 16 does not have DSP processing capabilities, so it does not have a DSP processing interface. However, it does offer low latency software mixing for routing and sending signals without needing to reach for the unit itself.
Based on 10 quotes from 5 sources [show quotes and sources]

Does the Audient Evo 16 have customizable or adjustable DSP processing?

No, the Audient Evo 16 does not have customizable or adjustable DSP processing. However, it does offer ultra-low latency software mixer and monitor control.
Based on 3 quotes from 3 sources [show quotes and sources]

Compatibility

The Audient Evo 16 audio interface is compatible with Mac OS 12.5 and most popular DAWs on both Windows and Mac, making it a versatile and reliable choice for home recording studios, podcasters, and musicians.

The Audient Evo 16 audio interface is compatible with Mac OS 12. 5 and most popular DAWs on both Windows and Mac, including Ableton Live, Pro Tools, Logic Pro, Cubase, and Studio One. It can be used with any third-party plugins that are compatible with your DAW software.

There are no known compatibility issues with popular software and plugins, and the interface is easy to set up and configure with different software and operating systems. Users have reported that the Evo 16 is intuitive and easy to use, making it a great choice for home recording studios, podcasters, and musicians who want a reliable and versatile audio interface.

What operating systems are compatible with the Audient Evo 16 audio interface?

According to a verified product expert on forums.musicplayer.com, the Audient Evo 16 audio interface is compatible with Mac OS 12.5. However, it's important to note that compatibility with other operating systems may vary and it's always best to check the manufacturer's website for the most up-to-date information on system requirements.
Based on 1 quotes from 1 sources [show quotes and sources]

What Digital Audio Workstations (DAWs) are compatible with the Audient Evo 16?

The Audient Evo 16 works with most DAWs on both Windows and Mac, including Ableton Live, Pro Tools, Logic Pro, Cubase, and Studio One. According to gearnews.com, the EVO 16 was recognized instantly on a MacBook Air and was available as an audio device in Ableton Live straight away.
Based on 4 quotes from 3 sources [show quotes and sources]

What third-party plugins are compatible with the Audient Evo 16 interface?

The Audient Evo 16 interface can be used with any third-party plugins that are compatible with your DAW (Digital Audio Workstation) software. As long as the plugin is compatible with your DAW, it should work with the Audient Evo 16 interface. Some popular DAW software programs include Pro Tools, Logic Pro X, Ableton Live, and Cubase. It is always recommended to check with the plugin manufacturer to ensure compatibility with your DAW software.

Are there any known compatibility issues with Audient Evo 16 when used with certain software or plugins?

According to the information available, there are no known compatibility issues with the Audient Evo 16 when used with popular software and plugins such as Logic Pro X, Ableton Live, Pro Tools, and Cubase. However, it's always a good idea to check with the software or plugin manufacturer to ensure compatibility. Additionally, some users have reported minor compatibility issues with certain DAWs, but these seem to be isolated incidents and not widespread.

How easy is it to set up and configure the Audient Evo 16 with different software and operating systems?

According to experts in ReviewFinder's database, the Audient Evo 16 is very easy to set up and configure with different software and operating systems. One user reported that installation was a breeze, and they were up and running right away on Mac OS 12.5. The Evo 16 was recognized instantly on another user's MacBook Air and was available as an audio device in Ableton Live straight away. Additionally, the EVO app is available for download from the Audient website. The software can help you configure stereo pairing and more, and all of these things can be done from the front panel interface. Overall, users have reported that the Evo 16 is intuitive and easy to use.
Based on 9 quotes from 6 sources [show quotes and sources]

Brand reputation

The Audient Evo 16 is a highly regarded USB audio interface that offers outstanding performance and ease of use, making it an excellent choice for musicians, podcasters, and content creators.

Audient Evo 16 has a strong brand reputation in the audio recording industry as a high-quality USB audio interface with outstanding performance. It is part of Audient's EVO series of interfaces, which are designed to be super simple to use, making recording easy, flexible, and affordable.

The product has received excellent expert endorsements, including eight mic inputs with automatic gain option, an ultra-sharp color LCD screen, and an excellent price. It ranks #4 out of 120 in the Audio Recording Interfaces category. However, the product's overall consumer score of 6.

7 is lower than the median score for Audio Recording Interfaces, indicating that some customers may have had negative experiences with customer support. Despite this, Audient Evo 16 is an excellent choice for those looking for a high-quality USB audio interface that is easy to use and provides outstanding performance.

It is ideal for musicians, podcasters, and content creators who want to focus on recording and music making rather than the routing, gain staging, and playback.

What is the reputation of Audient Evo 16 in the audio recording industry?

Audient Evo 16 has a reputation of being a high-quality USB audio interface with outstanding performance. It is part of Audient's EVO series of interfaces, which are designed to be super simple to use so you can focus on the recording and music making rather than the routing, gain staging, and playback. According to expert opinions and customer reviews, Audient Evo 16 ranks #4 out of 120 in the Audio Recording Interfaces category. It received this ranking because of its combination of expert endorsements, including eight mic inputs with automatic gain option, an ultra sharp color LCD screen, excellent price, and its ability to make recording easy, flexible and affordable.
Based on 18 quotes from 7 sources [show quotes and sources]

How do customers perceive the customer support provided by Audient Evo 16?

Unfortunately, we do not have any specific information on customer perception of Audient Evo 16's customer support. However, based on the product's overall consumer score of 6.7, which is lower than the median score for Audio Recording Interfaces, it is possible that some customers may have had negative experiences with customer support. It is always a good idea to research a company's customer support reputation before making a purchase, and to take advantage of any available warranties or return policies in case of any issues.

Best Alternatives

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Apogee Duet 3 Universal Audio Apollo Twin X Focusrite Scarlett 6i6
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The Apogee Duet 3 audio interface is a versatile and high-quality solution for capturing and monitoring audio, offering a comprehensive set of input and output options, low-latency performance, and onboard hardware DSP processing. The Universal Audio Apollo Twin X audio interface is highly praised for its versatile input/output options, low latency, top-notch preamp quality, powerful DSP processing capabilities, and compatibility with various software and operating systems, making it a recommended choice for home studios, project studios, and professional recording environments. The Focusrite Scarlett 6i6 audio interface is highly praised for its comprehensive range of input and output options, low latency performance, high-quality preamps, and user-friendly software, making it a versatile and reliable choice for recording and playback needs.
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Audio Recording Interfaces above are offered because they are in the same price range as Audient Evo 16. To browse more budget and premium audio recording interfaces go to our audio interface ranking .

Position in ranking

We maintain a monthly ranking that sums up expert recommendations for all audio recording interfaces.

Rank Change Price Audio Interface
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1
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Focusrite Scarlett 2i2
The Focusrite Scarlett 2i2 audio interface is a versatile and reliable device with low latency levels, upgraded preamp design, and a new Air mode that enhances high-end detail, making it a great choice for solo artists and mobile recording.
1
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2
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2
1
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1
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2
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PreSonus AudioBox USB 96
The PreSonus AudioBox USB 96 is a versatile and reliable audio interface with low latency, high-quality mic preamps, and compatibility with almost all recording software, making it an excellent choice for musicians, podcasters, and other audio professionals.
3
3
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1
15
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4
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3
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Universal Audio Apollo Twin MKII
The Universal Audio Apollo Twin MKII is a versatile and high-quality audio interface suitable for professional recording studios, home studios, and musicians who demand the best in preamp quality, offering a range of input and output options for recording and playback, extremely low latency levels, and powerful DSP processing capabilities.
2
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8
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1
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4
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Behringer UMC22
The Behringer UMC22 audio interface is a versatile and affordable device suitable for home recording, podcasting, and other similar applications, offering a range of input and output options, low latency playback, and Midas-designed preamps.
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Audient Evo 16 did not receive any endorsements this month.

Highest recommended audio recording interfaces this month

ReviewFinder ranks based on a combination of customer reviews, expert reviews / mentions and popularity. Expert recommendations carry the highest weight in the ranking. We do not rank based on price, our commission or brand. audio recording interfaces below are at the top of our ranking this April.

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Focusrite Scarlett 2i2 PreSonus AudioBox USB 96 Universal Audio Apollo Twin MKII Behringer UMC22
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Focusrite Scarlett 2i2 rank #1 out of 125. Very high levels of customer satisfaction.
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PreSonus AudioBox USB 96 rank #2 out of 125. Very high levels of customer satisfaction.
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Universal Audio Apollo Twin MKII rank #3 out of 125. Very high levels of customer satisfaction.
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8.7
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The Focusrite Scarlett 2i2 audio interface is a versatile and reliable device with low latency levels, upgraded preamp design, and a new Air mode that enhances high-end detail, making it a great choice for solo artists and mobile recording. The PreSonus AudioBox USB 96 is a versatile and reliable audio interface with low latency, high-quality mic preamps, and compatibility with almost all recording software, making it an excellent choice for musicians, podcasters, and other audio professionals. The Universal Audio Apollo Twin MKII is a versatile and high-quality audio interface suitable for professional recording studios, home studios, and musicians who demand the best in preamp quality, offering a range of input and output options for recording and playback, extremely low latency levels, and powerful DSP processing capabilities. The Behringer UMC22 audio interface is a versatile and affordable device suitable for home recording, podcasting, and other similar applications, offering a range of input and output options, low latency playback, and Midas-designed preamps.
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